KINAN AZMEH + PIANO – CLASSICAL & WORLD MUSIC

This performance showcases the multi-faceted character of the clarinet and music that is deeply inspired by a multitude of traditions. Clarinetist-composer Kinan Azmeh brings standard works for the instrument, those rarely performed plus some of his own compositions. Joined by pianist, Jean Schneider.

Kinan Azmeh, clarinet
Jean Schneider, pianist

Sonata for Clarinet and Piano     Francis Poulenc

Allegro tristamente

Romanza

Allegro con fuoco

Four Pieces for Clarinet and Piano, Op. 5     Alban Berg

From Preludes, Books 1 and 2       Claude Debussy 

La fille aux cheveux de lin (Girl with the Flaxen Hair)

Brùyeres (Heather)

Minstrels

Des pas sur la niege (Footprints in the Snow)

Syrian Dances (2018)         Kinan Azmeh 

Deir Ezzor

Daraa

Romanian Folk Dances      Béla Bartók

Joc cu bâtā

Brâul

Pe loc

Buciumeana

Poârga romaneāsc

Mâruntel

Dances from Korond        László Draskóczy

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Hailed by critics and audiences alike, winner of Opus Klassik award in 2019 clarinetist and composer Kinan Azmeh has gained international recognition for his distinctive voice across diverse musical genres.
Originally from Damascus, Syria, Kinan Azmeh brings his music to all corners of the world as a soloist, composer and improviser. Notable appearances include the Opera Bastille, Paris; Tchaikovsky Grand Hall, Moscow; Carnegie Hall and the UN General Assembly, New York; the Royal Albert Hall, London; Teatro Colon, Buenos Aires; Philharmonie, Berlin; the Library of Congress, the Kennedy Center, Washington DC; the Mozarteum, Salzburg, Hamburg’s Elbphilharmonie; and in his native Syria at the opening concert of the Damascus Opera House.

He has appeared as a soloist with the New York Philharmonic, London Philharmonic, Seattle Symphony, Bavarian Radio Orchestra, Dusseldorf Symphony, the West-Eastern Divan Orchestra, The Azerbaijan State Symphony, Winnipeg Symphony, Symphony Nova Scotia, Toronto Symphony, A Far Cry, The Knights Orchestra,  Calgary philharmonic, Qatar Philharmonic and the Syrian Symphony Orchestra among others, and has shared the stage with such musical luminaries as Yo-Yo Ma, Daniel Barenboim, Marcel Khalife, John McLaughlin, Francois Rabbath, Aynur and Jivan Gasparian.

Kinan’s compositions include several works for solo, chamber, and orchestral music, as well as music for film, live illustration, and electronics. His resent works were commissioned by The New York Philharmonic, The Seattle Symphony, The Knights Orchestra, Saint Paul Chamber Orchestra, Elbphilharmonie, Apple Hill string quartet, Quatuor Voce, Brooklyn Rider, Cello Octet Amsterdam, Aizuri Quartet and Bob Wilson.

An advocate for new music, several concertos were dedicated to him by composers such as Kareem Roustom, Dia Succari, Dinuk Wijeratne, Zaid Jabri, Saad Haddad and Guss Janssen, in addition to a large number of chamber music works.
In addition to his own Arab-Jazz Quartet CityBand and his Hewar trio, he has also been playing with the Silkroad Ensemble since 2012, whose 2017 Grammy Award-winning album “Sing Me Home” features Kinan as a clarinetist and composer.

Kinan Azmeh is a graduate of New York’s Juilliard School as a student of Charles Neidich, and of both the Damascus High institute of Music where he studied with Shukry Sahwki, Nicolay Viovanof and Anatoly Moratof, and Damascus University’s School of Electrical Engineering. Kinan earned his doctorate degree in music from the City University of New York in 2013.

His first opera “Songs for Days to Come” which is fully sung in Arabic, was recently premiered in Osnabruck, Germany in June 2022 to a great acclaim. He has recently been appointed to the National Council for the Arts on a nomination by President Joe Biden.